Friday, June 20, 2014

A Trick Versus An Illusion: Illusion as a form of art.

I wanted to talk today about the difference between a trick and an illusion.  Many demonstrations of cardistry and card illusions come off as more tricks or displays of skill than they do as a form of illusion or "magic" (From here on I will use the word illusion as I prefer it).  I will also use an artistic concept from a modern art philosopher (Arthur Danto).

Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself- "V: V For Vendetta"

There is a vast difference between doing a show for kids and doing a show for adults.  Far more seldom do adults that I perform illusions for believe that an act of illusion is actually something else than a child does (This gets into the topic of mentalism and belief structures).  The quote that I used above was written by Alan Moore and in a way gets into the topic that I want to talk about.  

One of the primary differences between using illusion and juggling on stage is that illusion in many ways seems to act as a voice as an idea independent of the illusionist own words.  If I were to use a modern philosopher's words illusion can be a work of art in the sense of what Arthur Danto refers to as a metaphor.  A metaphor is when a creation of the artist stands in for an idea or statement of the artist.  For example a blank canvas may represent an artists inability to create.  The artist is attempting to communicate an idea via his artwork standing in as a metaphor.

If I present illusion as a method of simply demonstrating my own expertise and capacity (within the persona of the expert), I demonstrate technique but I don't demonstrate artwork (I feel that technique is not necessarily artistry but rather the capacity to create art).  The moment that I use illusion for this purpose, no matter how entertaining the trick is, it is still a trick.  The power of illusion here is in creativity; to often though we simply ctrl-c ctrl-v someone elses creativity and put it forward as our own success.   How and why do I place it before the audience becomes more important than what I place in front of them.

When we enter the theater the goal of the theater is to create within us a state of suspension of disbelief.  This of course to me equally applies to stage illusion and shows as it does to traditional theater.  In this way my goal is to use the lies of illusion in order to demonstrate a truth as I perceive it.  In suspending ones disbelief if only for a moment, than the metaphor of each act of illusion becomes more acceptable; more capable of hitting home.